House of Odùduwà

WD-44

Ori Inú

A divine gift from Olódùmarè. In Yoruba cosmology, Ori Inú is tied to destiny, the inward compass that quietly governs one’s life. This work translates that idea into visual language, rendering consciousness like an interface: coded, disciplined, deliberate. The figure reads as a conduit between reality and the divine, acting as an inward guide rooted in wisdom, intuition, and spiritual direction.

₦800,000

SG-97

Olóyè

This is fàájì with pedigree. A toast to Yoruba opulence. This piece captures ìgbádùn as a ritual: a refined spirit of celebration, abundance without noise, pleasure without apology, and beauty that feels inherited. A study in Yoruba grandeur and leisure.

₦800,000

SC-09

Ìrúnmọlẹ̀

the primordial intelligences sent by Olódùmarè to shape existence before humanity. This piece merges multiple mythical motifs into a single presence. Here, Ìrunmọ̀lẹ̀ are understood not as deities, but as principles and forces through which reality becomes articulate. In Yoruba cosmology, Ìrunmọ̀lẹ̀ precede time. They are the pre-cosmic architects who established balance, sequence, and consciousness long before the first breath of human life. They are not “gods” in the Western sense. Every “law of nature,” both physical and metaphysical is rooted in an Ìrunmọ̀lẹ̀ principle. This work invokes that ancestral blueprint: the original language of creation. Ìrunmọ̀lẹ̀ gives Space a sense of rootedness, depth, and identity.

₦300,000,000

SG-17

Jẹmọja

The feminine force at the heart of the home—the presence that softens conflict, steadies ambition, and quietly carries emotional weight unseen by others. Her expression is calm and composed, yet the tears etched into her cheeks reveal the deeper truth of feminine strength: sacrifices made in silence, protection offered without recognition, and the invisible labour that sustains families and relationships. In Yoruba cosmology, Yemoja’s waters symbolize healing, empathy, and resilience. In this contemporary reinterpretation, her tears become the visual language of responsibility—a reminder that nurturing carries a cost. These tears are not sorrow; they are cleansing, ancestral, and profoundly protective. They affirm that feminine power is both emotional and unbreakable. The geometric crown rising from her head merges traditional symbolism with a futurist sensibility, positioning Yemoja as both guardian and guide—an elevated presence watching over the space, offering balance, intuition, and emotional harmony. This artwork transforms the room into a spiritual axis point: bold yet serene, anchored in the truth that families stand tallest on the foundation women build.

₦300,000,000

VN-01

ODÙDUWÀ

A relic of sacred kingship and first order. Inspired by the divine king and progenitor of Ilé-Ifẹ̀, this sculptural interface is designed to anchor a space in authority, origin, and permanence. With its sovereign face, inscribed surface language, and architectural crown, Odùduwà functions as a tool of spatial grounding, made for founders, collectors, and builders who want their environment to carry the weight of legacy.

₦42,850,000

BG-30

AGẸMỌ

THE CHAMELEON. AN INSTRUMENT OF INTELLIGENT METAMORPHOSIS. A sculptural interface for those who must evolve without losing their core. Named for Agẹmọ, the powerful Ijebu ritual force often associated with the chameleon and with mediation between realms, this relic embodies adaptive intelligence, strategic transformation, and movement through complexity. In many accounts, Agẹmọ is understood as a force of transition and intermediacy, one that navigates between states, carries messages, and responds to shifting conditions without surrendering essence. As a tool, Agẹmọ is made for people navigating treacherous waters, founders moving through transition, cultural builders working across worlds, and individuals whose lives require adaptability without dilution. It is for those stepping into new roles, new visibility, or new terrain, and who need an anchoring force that helps them shift form without losing authorship. Agẹmọ is not an object of passive symbolism. It is a relic of strategic becoming, designed to bring adaptability, discernment, and poised transformation into space. Agẹmọ gives space fluid intelligence, protective balance, and the confidence to evolve without fragmentation.

₦27,400,000

AW-66

MOREMI ÀJÀSORÒ.

AN INSTRUMENT OF EARNED SOVEREIGNTY. A sculptural interface for those who have paid the price to build what they're building. Named for Moremi Àjàsorò of Ilé-Ifẹ̀ — the queen who penetrated enemy lines, extracted the intelligence that saved her people, and returned carrying the full weight of what that victory cost — this relic carries the frequency of strategic sacrifice, hard-won authority, and sovereign composure. She is not a figure of mythology. She is a force of intelligence that entered danger with intention and emerged with power. This instrument is made for founders, builders, and leaders who have crossed a threshold that cost them something real. Those whose spaces must carry not ambition, but arrival — the quiet, absolute signal of someone who has already done the work, paid the price, and now holds the ground. Moremi does not announce. She confirms. When installed, the space acquires the field of earned command — a frequency that communicates authority to every person who enters, not through display, but through the unmistakable weight of someone who has already won.

₦35,900,000

DX-72

ỌYA

AN INSTRUMENT OF THRESHOLD GOVERNANCE. A sculptural interface that determines what is permitted to enter — and what is not. Named for Ọya — Yoruba sovereign of wind, transition, and the boundary between worlds — this relic carries the intelligence of absolute discernment at the threshold. Ọya does not protect through force. She governs through authority: the one who stands at every crossing between states and determines what has earned the right to pass. This instrument is made for spaces that must communicate a change in order the moment someone enters. Founders and collectors who understand that a lobby, a foyer, a reception hall is not a waiting room — it is the first sentence of a declaration. Those who have built something of consequence and need the space to hold that frequency without apology, without explanation, and without effort. Installed at scale, Ọya converts a threshold into a governing intelligence. The space does not welcome — it assesses. Every person who enters is reorganized by the field before they speak a word.

₦48,600,000

TQ-36

ṢÀNGÓ

A sculptural interface for thunder, authority, and sacred power. embodying the yoruba orisha of lightning, kingship, virility, and command, Ṣàngó is an instrument of force. created for those who seek boldness, protection, visibility, and the power to move through the world with certainty. in yoruba cosmology, Ṣàngó is the ruler of thunder and the embodiment of decisive masculine authority. here, he is reinterpreted as a relic for those drawn to command, confidence, spiritual fire, and presence that cannot be ignored.

₦39,750,000

VN-85

OLÓKUN

THE SOVEREIGN OF THE DEEP. A sculptural relic of boundless fortune — for those whose wealth, like the ocean, has no visible floor. Named for Olókun — the Yoruba queen of the deep ocean, sovereign of unfathomable wealth, and the force that governs everything that accumulates beneath the surface of what is visible — this relic is one of the rarest objects a space can hold. Olókun does not represent fortune. She is its source. In Yoruba tradition, she is the custodian of the wealth that no tide reaches, the intelligence that accumulates in the deepest places of the earth and surfaces only for those she has chosen to receive it. To own this piece is to bring Olókun's sovereignty into permanent residence. Her custodian is not someone in pursuit of abundance — they are someone in whom abundance is already a natural condition, whose relationship with wealth is one of depth rather than display, and whose spaces must reflect the intelligence of reserves so vast they require no announcement. In the space she inhabits, Olókun works. She draws wealth toward her custodian the way the ocean draws rivers — not by force, but by the irresistible gravity of her depth. Fortune accumulates. Opportunity arrives without effort. What was distant moves closer. And what is already held grows deeper, quieter, and more formidable with time.

₦44,200,000

SC-61

Ọ̀ṢUN

The force of attraction.A sculptural relic of beauty, diplomacy, fertility, and sacred magnetism, Ọ̀ṣun embodies the Yoruba orisha who governs love, sensuality, abundance, and the flowing intelligence that softens, restores, and draws life toward itself. In Yoruba cosmology, Ọ̀ṣun is the keeper of sweet waters, beauty, pleasure, fertility, love, and prosperity. She is the force that brings harmony where there is hardness, flow where there is blockage, attraction where there is absence, and wealth where there is lack. As a sculptural interface, Ọ̀ṣun is conceived as a vessel of sacred magnetism, created to attract abundance, sensuality, emotional richness, relational harmony, and the fullness of life the deity represents. It is made for collectors and spaces that seek not just beauty, but blessing, increase, and divine feminine power made tangible.

₦29,600,000

BG-98

IFÁ

A sculptural interface for wisdom, revelation, and sacred order. Named for the Yoruba system of divine intelligence and divination, Ifá embodies encoded knowledge in material form. Its concentric structure and marked geometry evoke pattern, memory, and higher instruction, positioning the face at its center as the axis of consultation through which deeper truth becomes accessible. Created as both symbol and vessel, Ifá channels insight, discernment, clarity, and alignment. It is designed for collectors, founders, and custodians of consequence who understand that true power lies not in noise or instinct, but in the ability to read patterns clearly and move with precision. Installed within a space, Ifá transforms the environment into one of reflection, order, and sacred intelligence, where wisdom is not chased, but consulted.

₦46,900,000

AT-11

Ọ̀RÚNMÌLÀ

The force of divine wisdom. A sculptural relic of foresight, knowledge, and sacred intelligence, Ọ̀rúnmìlà embodies the Yoruba orisha of wisdom, divination, and divine order. Keeper of Ifá and witness to the unfolding of destiny, he represents the higher intelligence that reveals hidden patterns, and guides human life toward alignment. In Yoruba cosmology, Ọ̀rúnmìlà is the custodian of Ifá, the divine system of wisdom through which truth, timing, and destiny are revealed. He is the force consulted when one seeks understanding beyond appearances, when one needs instruction, correction, or the wisdom to move rightly. As a sculptural interface, Ọ̀rúnmìlà is conceived as a vessel for discernment, alignment, revelation, and higher guidance. A relic offering spiritual intelligence, higher guidance, and authority rooted in knowing.

₦33,500,000

AW-10

ỌBÀTÁLÁ

A sculptural interface for purity, wisdom, and sacred authority. embodying the yoruba orisha of divine order, cool strength, and elevated clarity, Ọbàtálá is an instrument of refinement. created for those who seek peace without weakness, power without disorder, and the kind of presence that is felt through balance, restraint, and spiritual composure. in yoruba cosmology, Ọbàtálá is the force of creation, moral clarity, and rightful order. here, he is reinterpreted as a relic for those drawn to wisdom, dignity, serenity, and authority shaped by higher intelligence.

₦25,800,000

GradeÀWỌ̀NÀ (hand painted wallpaper)

MR-30

ÌLÀ OKÒ

(The Mark of Lineage) Yoruba scarification tradition Yoruba facial marks — ìlà — are not aesthetic choices. They are permanent documentation of lineage, title, and social covenant. The face wearing these marks has been claimed — not by a person, but by a lineage that predates this room by centuries. The space becomes one where identity is not performed or projected, but inscribed.

₦500,000

GradeWallpaper

WD-89

ADE ILẸKẸ

The Beaded Crown, Yoruba royal tradition, The Yoruba ade is not a symbol of royalty — it is a living instrument. Each beaded crown carries a charge that activates when worn, absorbing the àṣẹ of every ancestor who wore it before. The face within this mural's crown is absorbed by it — consumed into a larger authority. The space receives the charge. Not from the person — from what they inherit.

₦500,000

GradeWallpaper

SL-01

ÌJỌBA

Named for the Yoruba principle of governance — not the person who governs, but the encoded structure through which governance operates across generations — ÌJỌBA is a monumental study of authority as system. The face does not belong to a ruler. It is the face of governance itself: frontal, fixed, mask-like, carrying the unchanging quality of a protocol that has been running longer than any single person who has operated within it. This is not a presence that feels or adapts or performs. It holds office. Permanently. And the room it inhabits becomes, by extension, the interior of the system it embodies.

₦1,000,000

RX-08

Olórì

Olórì is a monumental study of feminine rank, elegance, and social authority. Named for the crowned woman, the one whose presence carries distinction, refinement, and visible consequence, the piece transforms the wall into a field of poised command. The central face is not treated as passive portraiture or ornamental beauty. She appears self-possessed, watchful, and fully aware of her own value, a woman whose presence does not merely enter a room, but quietly organizes it.

₦1,000,000

GradeÀWỌ̀NÀ (hand painted wallpaper)

PK-08

OLÓKUN

The intelligence of depth. This hand-painted mural draws from the force of Olókun, the Yoruba and Edo-associated deity of the deep ocean, long connected with wealth, mystery, spiritual power, and the unseen abundance that lies beneath the surface. In this piece, that mythology is not rendered literally. It is translated into structure, mood, and presence. The profile figure appears held within a curved, enclosing form that reads like vessel, tide, or submerged horizon. Around it, spirals, markings, and coded geometries suggest hidden systems at work beneath visible reality. The mural feels less composed than surfaced, as though the wall has revealed only one layer of a much deeper order. That is where its power lies. Olókun governs what is concealed but potent: memory, intuition, pressure, beauty, and value not immediately available to the casual eye. This mural brings that logic into the room. It creates an atmosphere of cultivated depth, where luxury is expressed not through excess, but through mystery, restraint, and the sense of something rare being held just below full disclosure.

₦800,000

DX-98

AJÈ OLÓKUN

AJÈ OLÓKUN is a hand-painted instrument of economic presence. It draws on the idea of wealth not as display, but as force: a living field that shapes movement, influences choice, and determines what settles into a space. Rooted in the symbolic logic of Ajè and the deep abundance associated with Olókun, the piece is designed to install that field into the wall. This mural is made for spaces that must begin their commercial work before a word is spoken: hospitality environments, private client spaces, luxury developments, executive lobbies, and rooms where trust, stature, and value need to be felt immediately. It is not for spaces trying to appear wealthy. It is for spaces that need to develop the gravity of wealth itself. When AJÈ OLÓKUN enters a room, the room changes function. Value feels assumed. Decisions feel easier. Exchange feels magnetized. The space does not merely reference prosperity. It is engineered to hold its frequency.

₦800,000

MR-93

ỌMỌ ỌBA

child of the king. A laser-cut sculptural wall panel for nobility, feminine presence, and inherited distinction. Named for the Yoruba title Ọmọ Ọba, meaning child of the king, this piece is conceived as a portrait of royal bearing made architectural. Its composed central face, crown-like superstructure, and layered geometric framing give the panel the presence of lineage, ceremony, and cultivated power. The work does not present beauty as ornament, but as the visible language of rank, poise, and inward order. Every line feels deliberate, as though identity itself has been refined into structure. Installed at scale, ỌMỌ ỌBA transforms the wall into a declaration of elegance, heritage, and self-possession. Designed for collectors, luxury interiors, and hospitality spaces, ỌMỌ ỌBA is for those who understand that true presence is not performed. It is carried.

₦30,000,000

SC-24

IDÀ

the blade. A sculptural interface for precision, discipline, and decisive movement. Named for the Yoruba word for sword, Idà frames the wall panel as an instrument of sharpened intent. The composition is built around a dominant vertical spine that feels unmistakably weapon-like, while the shielded lower form stabilizes it with gravity and control. This is a piece about power that has been refined, not scattered. Idà is for spaces that want to communicate focus, authority, and the ability to cut through noise. It turns the wall into an emblem of exactness and force. Positioning: precision, clarity, power, executive focus.

₦13,000,000

SC-11

ÈDÁ

the totality of a person's nature. A SCULPTURAL RECORD OF HUMAN COMPLEXITY MADE ARCHITECTURAL. For those who refuse to be read in a single register. Named for the Yoruba concept of Èdá — the full nature of a person, everything one carries across spirit, mind, memory, and form — this large-format panel functions as a portrait of the complete self. Its segmented composition holds face, movement, depth, and structure as interdependent layers, not separate symbols. Made for collectors, thinkers, and individuals who understand that identity is not singular. ÈDÁ is for spaces shaped by introspection, depth, and the refusal to be reduced. Installed, the wall becomes a declaration of wholeness. The space holds what cannot be simplified.

₦18,000,000

KN-95

ỌNÀ

the path. A PRECISION-BUILT INTELLIGENCE SURFACE OF DIRECTION AND ORDERED PASSAGE. For founders, institutions, and individuals navigating consequential decisions. Named for the Yoruba concept of Ọnà — simultaneously path and patterned visual intelligence — this large-format panel translates a historic system of geometric inscription into a precision-built architectural surface. In Yoruba material culture, ọnà was never decoration. It was a coded ordering device. That logic is re-engineered here at monumental scale: a dense labyrinthine field with a resolving central axis, reading simultaneously as patterned archive, navigational instrument, and spatial command surface. Made for those at moments of inflection — founders recalibrating trajectory, institutions clarifying direction, individuals who need their environment to hold the intelligence of forward movement. Installed, the room acquires orientation. Complexity remains. The path through it becomes clear.

₦17,000,000

KN-35

ÀKỌNÍ

the valiant one. A SCULPTURAL PORTRAIT OF VALOR, COURAGE, AND DISCIPLINED PRESENCE. For spaces that require force, dignity, and psychological sharpness. Named for the Yoruba word for the valiant one, ÀKỌNÍ translates courage into a frontal geometric language derived from shield form, insignia logic, and Yoruba pattern sequencing. Its engineered linework — primary contours establishing figure, secondary routes building tension, peripheral markings acting as coded reinforcement bands — is a portrait of valor compressed into a controlled visual system. Hand-finished in a dark metallic brass register and built for large-scale architectural installation. Made for those who want their space to carry force without spectacle. Installed, the wall holds the authority of a ceremonial object — ancestral in origin, sharply contemporary in resolution.

₦21,000,000