SC-24

child of the king. A laser-cut sculptural wall panel for nobility, feminine presence, and inherited distinction. Named for the Yoruba title Ọmọ Ọba, meaning child of the king, this piece is conceived as a portrait of royal bearing made architectural. Its composed central face, crown-like superstructure, and layered geometric framing give the panel the presence of lineage, ceremony, and cultivated power. The work does not present beauty as ornament, but as the visible language of rank, poise, and inward order. Every line feels deliberate, as though identity itself has been refined into structure. Installed at scale, ỌMỌ ỌBA transforms the wall into a declaration of elegance, heritage, and self-possession. Designed for collectors, luxury interiors, and hospitality spaces, ỌMỌ ỌBA is for those who understand that true presence is not performed. It is carried.