The Collection

Residence Collection

Original works, sculptural relics, panels, and refined surfaces selected for private homes, penthouses, and collector interiors.

Ori Inú

A divine gift from Olódùmarè. In Yoruba cosmology, Ori Inú is tied to destiny, the inward compass that quietly governs one’s life. This work translates that idea into visual language, rendering consciousness like an interface: coded, disciplined, deliberate. The figure reads as a conduit between reality and the divine, acting as an inward guide rooted in wisdom, intuition, and spiritual direction.

₦800,000

GradeHand Painted Mural

SG-97

Afrolux

AfroLux is conceived as a fusion of heritage and futurism: a modern African guardian translated through Art Deco geometry, luxury materials, and an avant-garde composition. The face is intentionally enigmatic, ancient yet forward-looking, familiar yet abstract, carrying the quiet authority of African royalty in a refined contemporary language. Its mixed-media build is the core of its presence. Gold accenting traces the contours with a warm, luminous glow. Laser-cut elements introduce crisp precision and layered modernity, set against more organic textures. Marble inlays add weight, depth, and a timeless architectural feel, creating a rich interplay of light, shadow, texture, and dimension that turns the wall into sculpture. The composition stays unconventional: asymmetrical but balanced, structured yet fluid, with a mysterious, hypnotic pull. AfroLux doesn’t reveal itself instantly. It rewards attention, echoing how African symbolism and craftsmanship have always asked viewers to pause, reassess, and lean in. The result elevates the living area into a gallery-level environment, not as decoration, but as a proclamation of identity, taste, prestige, and cultural depth.

₦45,000,000

GradeSculptural Relics

SG-44

Saro

A meditation on the African mind under pressure: how the body became infrastructure when paper, language, and freedom were controlled. A monumental visage rises from layered linework and pattern, built like a blueprint.Clean geometry. Disciplined symmetry. Carved-like marks hover between ornament and language, as if the surface is recording what cannot be spoken aloud. This piece does not compete with the interior. It authors it. Anchoring the room with authority, turning the wall into a collected statement, and the space into something closer to a private gallery, without sacrificing warmth.

₦1,000,000

GradeÀWỌ̀NÀ (hand painted wallpaper)

SG-01

The Eweka Collection

Visionary

Depicting the Oba as seer and architect, this piece celebrates Nigeria’s capacity for innovation. The leader’s outstretched hand conjures light—both a literal image and a metaphor for our people’s genius in imagining and manifesting achievements ahead of their time. Attendants embody wisdom, ritual and vitality, transforming vision into form. Benin’s great feats—the walls, the bronzes, the ordered cities—become metaphors for Nigeria’s emerging technologies and artistic prowess, reminding us that progress begins with imagination.

₦6,000,000

GradeÀWỌ̀NÀ (hand painted wallpaper)

EditionOne of One

WD-86

Alhaji

The violence of conviction. Alhaji is a Culture-Tech artifact created as a symbol of force, command, and disciplined ambition. Inspired by Aliko Dangote, the work channels the spirit of the builder: relentless, strategic, and expansive. Meticulously hand-painted on Awọ̀na fabric, it is designed for luxury spaces and for those who see themselves in its code: founders, collectors, industrialists, and cultural tastemakers whose presence is defined by vision, stamina, and authority. Alhaji is a signal. It embodies doggedness, scale, and the quiet violence of conviction.

₦10,000,000

GradeÀWỌ̀NÀ (hand painted wallpaper)

EditionOne of One

PK-94

CONVERGENCE

A mural built from the geometry of directed intelligence. It turns a wall into a spine. No figure. No face. Only system. Three registers of geometric intelligence — angular fragment fields at the periphery, a powerful receding vortex of parallel lines at the center — pull every eye in the room toward a single vanishing point of absolute clarity. The palette is gold and charcoal: two forces that do not compromise, only contrast. The surface reads as architecture as much as image. The language it speaks is structural. This work belongs in spaces where direction matters — where the room must communicate that decisions made here are not tentative. The corporate reception that must establish authority before a word is spoken. The private residence of a person who has no patience for ambiguity. Any interior that requires a visual center of gravity capable of holding the weight of what the space is used for. What the space gains: directional authority. A room that previously had four equal walls now has one that leads.

₦500,000

GradeWallpaper

TQ-12

ÌLÀ OKÒ

(The Mark of Lineage) Yoruba scarification tradition Yoruba facial marks — ìlà — are not aesthetic choices. They are permanent documentation of lineage, title, and social covenant. The face wearing these marks has been claimed — not by a person, but by a lineage that predates this room by centuries. The space becomes one where identity is not performed or projected, but inscribed.

₦500,000

GradeWallpaper

WD-89

CONSECRATED

A mural of perfect bilateral authority. It does not ask for the room — it claims it. Fully symmetrical on deep emerald green. A composed face enclosed within a sweeping gold arc — not a frame, a consecration. Strong almond eyes, absolute stillness, and at the chest: a mandala form radiating outward in geometric precision. The bilateral symmetry signals immediately that this is not a portrait of a person. It is the architecture of a force — designed with the deliberateness of ceremonial regalia, scaled to the full height of the wall it commands. Nothing in this composition is accidental. Every line earns its place. This mural belongs in spaces that must communicate judgment. The private reception hall where clients arrive knowing the meeting has already begun. The residence that must feel sovereign from the entrance. Any interior where the room itself must function as a statement of the standards held within it. What the space gains: the quality of being assessed. Everyone who enters understands, without being told, that this room operates to a standard.

₦500,000

GradeWallpaper

RX-01

EZE MMỤỌ

EZE MMỤỌ is not a ghost. In Igbo cosmology, the ancestral spirit king is a governing force: accumulated lineage held in active intelligence, carrying what the living have not yet earned the right to know. This face does not haunt. It holds. The coded markings, architectural headdress, and inscribed border are not decoration but system, record, and compressed knowing rendered in painted form. Made for spaces where legacy is the primary force, family homes, estate interiors, rooms where inheritance is felt before it is spoken, this mural installs ancestral presence at full architectural scale.

₦800,000

GradeHand Painted Mural

BG-16

ADA NNA

the father’s daughter. lineage, carried with grace. Concept / Synopsis: Ada Nna is a monumental study of feminine lineage, inheritance, and composed authority. Named for the first daughter, the one who carries not only affection but continuity, the piece reimagines her presence at architectural scale. The central figure appears in profile, calm and self-contained, framed by a luminous circular field that reads like halo, signal, and ancestral seal at once. She is not presented as ornament, muse, or passive beauty. She appears as continuity made visible.

₦1,000,000

GradeÀWỌ̀NÀ (hand painted wallpaper)

RX-49